The second half of the album is called "The Wealth of the Penetration in the Abstract Paradigmas Of Satan" and is more experimental and unusual. The vocals are random growls and screams buried deep in the mix. Albums like this are purposely low-fi, but the erratic mixing and maximum treble can get really grating.
I do give Furze credit for putting a few riffs amongst the blast beats and distortion, but the songs go on way too long. Instead of sounding edgy and unique, they devolve into muddled, self-indulgent messes.





