After is the third solo CD from Ihsahn, and the ending to a trilogy. The former
Emperor frontman's solo releases have been more progressive and experimental in nature, while still being rooted in
black metal.
After pushes the envelope even more, with extensive use of saxophonist Jurgen Munkeby.
Each song on
After is painstakingly composed and arranged, and the album flows extremely well. Ihsahn utilizes many different tempos, textures and intensities throughout the album, embarking on a musical ride with many ups, downs, twists and turns.
After kicks off with “The Barren Lands,” a natural progression from his first two solo efforts. But then things take an interesting path.
“A Grave Inversed” starts off in old school black metal style, dense and fast. Then the sax kicks in, providing a compelling contrast to the intensity of the guitars and drums. Ihsahn takes his foot off the gas for the title track, a more introspective and progressive track with melodic vocals that transitions to a faster tempo and harsh vocals before easing up to its conclusion. “Frozen Lakes On Mars” is the catchiest song on the album, with thrashy riffs and memorable hooks.
“Undercurrent” is After's tour-de-force, a powerful 10 minute opus. The saxophone is a vital part of the song's emotional arc, providing a melancholy counterpoint to the aggressiveness of the guitars and harsh vocals. After a couple more diverse tracks, the album wraps up with “On The Shores,” another 10 minute song that maintains momentum throughout and brings the proceedings to a satisfying conclusion.
After is my favorite Ihsahn solo album. While all three are very well-done, this one resonates more because he continues to experiment and push musical boundaries while still maintaining a readily identifiable sound. Adding the sax was risky, but it fits in very well. The sonic palette on the album is painted with many shades and colors, and you'll discover subtleties and nuances with each listen.
(released January 26, 2010 on Candlelight Records)
